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Part 1: An Offering of Devotion and Poetry I would like to offer a bhajan to Śrī Śrī 1008 Śrī Viśvagurū Mahāmaṇḍaleśvara Maheśvara Nānājī Mahārāj. Gurudevan ke dev hain, Hari aap bade Jagadīś, Hijvedi bhavjal bheesh mein, Guru tāro bheesh bhān bheesh. Sant nahi baita jugat mein to jal ja to sansaar. Barbanājī Mahārāj wrote in one verse: Aisi karee Guru Dev dayā, mere moh kā bandhan toḍ diyā. Main door rehān din rāt sadā, o jag ke sab kāj viharan me. Main door rehān din rāt sadā, o jag ke sab kāj viharan me. Osopan mein samviswa dikhāyā mujhe, mere sansal sit ko modh diyā. Aisi kati Guru Dev dayā, mere moh kā bandhan toḍ diyā. Koī Sais Maheś Gaṇeśarāte, Koī Pūjat Pīr Paigambarī Ko. Sab Prant Garant Sudhā Karke Ik, Īśvar Se Man Jodh Diyā, Aisī Karī Gurū Devā Dayā, Mere Moh Kā Bandhan Toḍh Diyā. Dāth Mathurā Nagarī Mein, Koi Dūn Dāth Mathurā? In a bad town, someone goes and makes a ṛṣabha. When he took the form of an ascetic, he broke the bondage of Brahmā. O Guru, you have broken the bondage of my desires. Guru Balu, a lot of invitations. And the audience is also coming. Everyone is sitting quietly. Barmānānjī Mahārāj, write in these words: "Who am I to meet Gurū Deva?" Who am I to meet Guru Deva? Na vastu dī śeṭhī hulokan mein, na karuṅ bheṭā. Na vastu dī hulokan mein, mānand samānāṅ o thakbītāṅ mānik lākh karoṛ dīāṅ. Aisī karī gurū dīvā dīāṅ, mere moh kā bandhan toṛ dīāṅ. Jai Bhūr Satguru Devakī, Jai Bhūr Dīpakṛṣṇa Bhagavānkī. Mankaj Bhai, Mewada, Mejra, Devāśvar Mahādev. It is like this: those who are tired, have children, now if you want, you can take a bed and go to your room and rest. And those who don’t want to do it, listen to the bhajan quietly. There are many good bhajans, and singers have also come. Everyone’s number will come. You sing and you sing, but the wealth doesn’t settle in the Raṅg. Whatever raṅg you sing, the wealth should go to the international world. It’s going to 180 countries. That’s why the wealth isn’t equal this time. Brahmanand Jī’s bhajan was very good, but the wealth isn’t good. It would have been better. If it were possible, I would have been able to dance for two to three minutes. How many times do you have to cut your hands? How many times do you have to cut your hands? Repeat it. Singers, tell me which rāga will you sing and which rhythm? Taal. According to that taal, your money will be saved. In Gurujī’s sannidhya, Pāṇḍyā Sāheb from Amdavādī has sent this. Mukeshbhai, my name is Marot, and I am a writer from Gujarat. Perhaps you may not understand Gujarati, but you will enjoy my Charani language. Because literature is such a thing that the famous and unknown artists of my Saurāṣṭra speak in Kāṭhiyāvāḍī language. I have been invited by Sāheb Śrī in the presence of Gurujī to do a program. So if you keep quiet, you will enjoy listening to literature. The program in the language of Saurāṣṭra, the famous and unknown artists that you are listening to, stories, stories within literature, you will enjoy my favorite art. Because I don’t like Rajasthani or Marwadi. So I have come here from Ahmedabad. Mukeshbhai, Barot is my name, so if you listen to Shanti, you will enjoy. an holi bethata, ena niche pardhi shikari baan tiyaar kareen bethoto. Vadlānī dal mathe holo an holī bethatā, an nīche pardhī śikārī bāṇ tiyār kareen bethoto, an mathe bījī dal upar cakro bāj bethoto. Etle holi kewa lagi ghola, apni niche kāl, an apni māṭhe kāl. There are two sides, and if we want to escape from the two sides, what should we do? Then Holī started saying, "Gholā, if we do bhajan, we will be saved; if we do kīrtan, we will be saved; if we go to Gurujī’s dhyānam, we will be saved." Gurujī is your Lord, and Gurujī is yours only. And Holī started doing bhajan. Holi means, what should we do if we want to save ourselves from the dark of the night and the dark of the day? We should do Holī Bhajan, we should do Holī Kīrtan. Holi means that we should do Holi Bhajan. It is said that Lord Viṣṇu is the owner of the ocean, the owner of the sea, the owner of the ocean, the owner of the ocean,... the owner of the ocean. If you go to the abode of a demon, if you go to the abode of a demon, then this is a fan. Why don’t you go to save the fan? And Lord Viṣṇu took the form of the last snake in the incarnation of Lord Viṣṇu. Lord Viṣṇu took the form of the last snake. He became the boring of Kalotra and prepared the arrow of the hunter of the right path. And Chakrabhāja said that Holī and Holā were sitting together. There was Chakrabhāja at the top and the hunter at the bottom. And the soul said that the arrow should be shot. And Holī and Holā took the life from the arrow. God Viṣṇu said that the snake of Kalotra took the form of Bhoring and came out. And on the other side, the hunter was sitting with his arrow. The arrow hit his leg. And the soul’s arrow was shot. The arrow was shot. And the arrow went and hit the bhaj. The bhaj hit the bhaj from the top and hit the bhaj from the bottom. The bhaj hit the bhaj from the top and hit the bhaj from the bottom, and the bhaj saved his life. That’s why my poem says, "Kāla ko kāla bhorīṅg deśo, dāgā bhaj ko bāna lagyo sararī. Bāprī ulrī apne pīyu se kahe, āyo maraṇo samro hararī. Śikārī jo māna sūṭyo sararī, bhaj jo prāṇa haryo hararī. Āyo maraṇo samro hararī." And that is why it is said that the poet from there, Bhagwati Sundhani Devi Jigdamba, said that in my Chamundana Sanidhya, I went to Sundhana Padra to see this poet. And I asked her, "Hey Maa Bhagwati, Hey Maa Jigdamba, today Guru’s Sanidhya Mugi and Bap, this is the owner of your feet, and Sundhani Dhaniyani came to see you." And I came there, that poet, she asked me, "Hey Maa Jigdambā, today I have come in the sanidhyā of the Sadguru, but today I will make you go ahead. I will make you go ahead. I will make you go ahead. I will make you go ahead. I will make you go ahead. I will make you go ahead. I will make you go ahead. I will make you go ahead. I will make you go ahead. I will make you go ahead. God bless you, and bless you, and... bless you." Śakti vīraje vāg svari, varṇa liyamba vāri vāri, māgyā śukdā, diejo mājī, to chāmu nā belenā amnā sājī, chāmu navarātri namban āle, ālā surī ne vadhamānī āle, vī mahā kālī bhavāgan male, mā bhagavatī bhalārī kholan navganne bhale, evā āj bhagavatī. Na sanidhima āvī, aaj me guṇkān gāvā māṭe beṭhā hoī. That is why it is said that, Lord, if Vishnu says so, then the life of the hunter from the bottom of the ocean is dead. And the life of the hunter is not that much. But Lord Viṣṇu said so that He was saying, "O Lord, O Kāliyā Ṭhākur, O Kāniyā, O Kṛṣṇa Candraśekhara, O Lord Viṣṇu." And he was saying so and so. He was pleading that there was time at the top and there was time at the bottom. And with the power of Bhajan, with the power of the Guru’s grace, with the power of the Guru’s grace, we have been saved. So Holī and Holo were said. Lord Kṛṣṇa and Sadguru Mahārāj were invited. Holi and Holo were said. O Lord! O Viṣṇu! O Kanhaiyā! O Mādhava! O Dhakara! and pray to the Lord, bharje-bharje-kamananam chubhichya-guchya-mastakam sunad-venu-hastakam and hanga-ranga-sagaram namami-kṛṣṇanagaram Manoj-garva-mocanam, viśāl-lola-locanam, vidhut-gopā-sochanam. O Kāliyā Ṭhākur, if you have saved me from such a Kāliyā Ṭhākur, then you and I would have received such a Guru’s blessing. So go to the feet of the true Guru. And if a person is able to praise the Satguru, then once our beloved Gurudev Mahārāj, if he is forced to kill the entire Rajasthan, then what kind of work will he do here? When the artists of Gujarat come, they say, "Jai." So today, forcefully say "Jai" to Gurudev. And then, after starting our two bhajans, I will still present you with literature. In my language, if you want to do a program in Gujarati language, you will have to stay in Rajasthan. You will get a program in Rajasthan to stay permanently, but you will not get any artist to stay in Gujarat. If you want to stay in Gujarat, even if you are a Rajasthani, everyone will stay in Gujarat. And the artist of Gujarat will be a Kogadī. That is why I said, whoever comes to your house, he will be blessed with good deeds. We have not become artists in this world, we have become disciples of Bāpū, and we have come here to do this program as his son. We have not come here to do this program as artists. We have come here to become the children of Bāpū, as the disciples of Satgurū Mahārāj, and we have come here to do this program as his son. And sometimes, he would throw away his own feelings. He would go and take a doll and throw it away for dancing. And the artist would throw away his own feelings. And he would throw away this doll. The doll would dance in his hands. Today, he took this art. And today, on the occasion of Sadguru Mahārāj, and whatever Gajendra Ṛṣi Rājpūt did, he spoke about this with Kṛṣṇa Kanhaiyā. Rajputs have a lot of history. And the son of the poet Charan Bharat speaks of history. And one example of Kavi Chalana Bharat is that the earth is bigger than the sky, then the earth is bigger than the sky. The history of the Rajputs can be written by a poet. The poetry written by Guru Nānāśānī Dhyāna can be written by a poet. And today I have come in the form of a poet, and I will sit in the form of an artist. I am your guest. I have come as your guest. And today, Guru Nanāśānī Dhyāna will give me the pleasure of doing the program and the work. I am not a singer-songwriter. I am an artist of words and literature. The dogs of Ahmedabad went to Mumbai. After going to Mumbai, they stayed there for five years. They stayed in Mumbai for five years and came back to Ahmedabad. The dogs of Ahmedabad kept on barking. So, all my friends like Gajendraji and Radhput were sitting and saying, "Kaviraj, Bharatji, Mukeshbhai, there is one dog on this side and there are 10-15 dogs on the other side." But in reality, they didn’t go to fight, but they went to meet them. Brother has come, brother has come. Brother has come. Yes, they went to meet them. The dogs of Ahmedabad said, "You are a good person. You used to live in Ahmedabad, so how do you talk? How do you speak? What is your culture? What is your language? How do you sit? How do you speak? And you have lived in Mumbai for 5 years, so you have changed completely." If you change your eyes, your Hindi language will change, and if you stay in Ahmedabad, you will be able to speak in Pusli. And if you have not stayed in Mumbai for five years, you will be able to speak in Uchi. The dogs of Mumbai say, "You have not come out, you have not visited Rajasthan. Mumbai is the central city of Maharashtra, and there is so much traffic in the capital of Mumbai that there is no place for you to walk." If you move ahead, you will get into an accident. There is so much traffic in Mumbai; there is no place to move ahead. If you move ahead, you will get into an accident. The dogs are aware that maybe we will get such a group, such a country, such people. Maybe we will go to the jungle and we will get such animals. So, the dogs are aware. So, the dogs are aware. Pramātmāye jene Prabhuye, Bhagavānān Sadguru Mahārāje jene Ādhā banāvyā. All of them walked straight ahead. The cow walked straight ahead. The buffalo walked straight ahead. The buffalo walked straight ahead. The bull walked straight ahead. The bull walked straight ahead. God Viṣṇu and Satguru Mahārāj made this man stand up. This man stood up, and this bull walked straight ahead. The word Rajasthani comes to mind. He was in a very bad state. He was called a poet. He was seen as a poet. He was dressed as a cow. He was dressed as a cow. He was dressed as a cow. He was dressed as a cow. He was dressed as a cow. He was dressed as a cow. He was dressed as a cow. He was dressed as a cow. Let’s see the words of a poet. What is the power of a poet’s pen? Ut kaheya sabhaama maaka angvala bhunda butal pashu ana paksi aparche, Chanchi of Gopat, Dhok of Bagla, Bhushdi of Kutra, Vistar of Vako, Sundh of Varan, Vaghnase of Nakh, Bheshnato of Sheer, Bhadse of Shingla, Shial of Samblin, Dakhya of Dalpatram, etc. There is only one Vākā, and we are afraid of it. There is only one Vākya, and we have to do it. Today, such a Sadguru Mahārāj has come to our place to sit and enjoy the joy of literature. There were four or five Bāpās of Gambhagam who left for Gujarat from Rajasthan. On the highway, the driver of the khatāro left with the car. He said, "I am going to see Mahākālī Māṭājī in Pavāgadh." So he showed his hands, and the five uncles of the village, who are now old, are sitting in this hut. Diver changed gears in the morning and in the evening. Five uncles of the village, black letters, two equal. The life of Rajasthan Marwad Pragana was not so bad, and it is said that five fathers changed the gear of the driver in the running. They changed the gear on the road and on the highway. Five fathers of the village thought that they lost the gear, but they did not lose it. It is said that they lost the gear, but they did not lose it. When they came to the hotel, they asked the driver or conductor if he wanted to drink tea or not. We have come from Rajasthan, we want to go to Bhavagadh, we have little money, and if you want to drink tea, then drink it. Chaa avta sansaar maa, vadhigya chaa naa bakraa, gaayu bhyashu bhuligyaa, gharo ghar badhyaa bakraa. Part 2: A Gathering of Devotion Chā ke un vilā thī āyo, pāsī vān mā betho, vānīyā ārey mā vāṭu karī, pāsī hotel mā peṭho. Vānīyā mana vakhā paḍhyā, pāsī khanḍī nām khanḍyo, ee khalā kabūtrā. Tu painelo śok vando, hafal vānīyā hafal, bhakti karto to bhagavān nī, nyāthī mārī velā valī, ā Kaliyā Thākar Prabhuyā gurpā karī, to moras jevī bāl dī mālī. Kālīyā Thākar Prabhuyā gurpā karī to moras jevī bhāī dī mālī. E chā pīvā mātre ḍriver konḍakṭar bhāī highway upar ubhar yā. Ḍriver konḍakṭar heṭā utrīṁ chā pīvā gayā. Eḍnā kalā kalā Kaljī Bhāī Peṭaljī Bhāī nā gīthu. Peṭaljī Bhāī, Kalā Bhāī nā gīthu. Kaljī Bhāī, Vēlā Bhāī nā gīthu. Kā karo nā āṭh āṭh? Kā āpne āṭh karī nā gher ghaṭāvī naikyō. Anā gher āṭh mā pakarīṁ ḍak ḍak havīṁ mun matī ghāḍī naikyō. "Get out of the way." He put him on one side and asked the driver-conductor, "If there was a gear in this, then where is it?" He said, "You get out of the way and get out of the way, otherwise you drive the car." He didn’t get out of the way, and drove the car. Today he is sitting in the company of the Guru. He took the path of Bhajan, and for the words of Bhajan, to escape from time, to escape from the mind, to make his own life. Today, in the company of the Guru, if we are sitting in the middle of the ashram, should I request Bhai, Pramodbhai, to take the name of the two bhajans, because we are all artists. We will come to all the artists from all over the world. And listen to Pramod Bhāī. Jai Hind. Pyār Kunchī Jināre Hāthme Guru Kholē Mokṣa Dvā Sant Milīā Ittīnā Aṭale Kāl Jāl Yam Sot. He is the one who is the one who... is the. Satguru bānī jo, e guru bānī jo, e vārtā kar dī jo, bhava pār, e māne, bhūlā ghar yo, e māne vo, amīlane ro, satguru rūtīyā nahī jāya. Sabar utte to, sabar brahma hain, hara deva, sabar guru pār brahma hain, deva niradeva. Sadā Gurudeva kī śaraṇam, mera koṭi śat vandan. And Praṇām Bholē Dev Nārāyaṇ Jī Bhagavān Kī Jai Ho. Bholē Dev Nārāyaṇ Jī Bhagavān Kī Jai Ho. Bholē Śrī Magvānand Bhagavān Kī Jai Ho. Bholē Śrī Maheśvarānand Bhagavān Kī Jai Ho. Bholē Jasrāj Swāmī Kī Jai Ho. Jasrāj Jī Swāmī Jī Purī Jī Kī Jai Ho. Kahi Sant Sagaram Hāthme Hīrā Āyā, bhāī dīyā besur gāl, gopan mein bhāyā. Uth bhā, uth bhā, viyā kar lāre bachiyā. Ye āyā hirārā parkhu mein royo, mā tohṭe. Royo Mā, tohṭe ek eḍā mein gana gamāyā, sant saṅgrām hāth mein hīrā. This is my Ayodhyā. Santralī Jai Varaṇāyā. Santāl Sadwal Sañjh Kī Jai. Okay, now it’s everyone’s turn. Wait a minute. Now I need some rest. My body is like this. So you all have to listen to the bhajan. The recording is going on. The cassette will be made. Sing in Marwari language. Sing in Marwari Raga. They don’t even get a cassette these days, so in our YouTube channel. All the Marwadi songs of Nipal, Jadan, Hattu, Kailash, and other Marwadi songs, in one year at least two crore people listen to them in Mumbai, Calcutta, and those Marwadi songs other than that, Hollywood songs. Is it Hollywood or Bollywood? Bollywood songs, Rāgī, Rāgī, they are all useless. The old songs that you sang in the beginning, sing those songs. Sing bhajans, sing of any saint, but sing more of Bābājī. Today, Bābājī’s Pūrṇitṛti is there, isn’t it? True. Of Mahāprabhujī and Bābājī. All bhajans are good. All the songs of Mahāpuruṣas are the same. A diamond is always a diamond. Still, sing a good Mahārwāḍī song. Keep your wealth away from them, otherwise they will beat you up. Keep your wealth away from them, and all of you listen to me. It’s been four to five hours now. After this, a little break. Then tea and water. Then a little more Āratī and Prasād and Āryoga Dāsāt. Everything else is quiet. What else? So hurry home and go home. Now it’s everyone’s turn. Our brothers from Pali will come. Two brothers will also come for bhajan. There are others too, so it should be for both brothers and sisters. You listen to the bhajan, and those who want to rest, you rest for a while. Make more tea quickly. Those who want to sleep, drink tea and sleep. Gurudev’s Ādai Samasāra is one of the most important verses in the Bhagavad Gītā. Gurudev’s Ādai Samasāra is one of the most important verses in the Bhagavad Gītā. God bless you. Jīvo Maheśvara Nand Jīvo Maheśvara Nand Śrī Bipā Dayāloke Amṛtyās Śrī Bipā Dayāloke Amṛtyās Mitvariṣa Ānand Jīvo Javu Jīvo Maheśvara Nand Jīvo Javu Jīvo Maheśvara Nand Jīvo Maheśvara Nand Jīvo Jīvo... Maheśvara Nand Siddhi padāyal ke amṛt ās, Siddhi padāyal ke amṛt ās, Jīb jīb... j God bless you, God bless you,... God bless you. ... ... ... ...... Nar Nāran rī deha banāyī, eha mati Rāmaṇā jī. Nar Nāran rī deha banāyī, eha mati Rāmaṇā jī. Vyaminthiko pāsura dharama asāmī nai karnā jī. Rāma bhajana mahalo maraṇa sā, ina jagalā podā re. Nar Nāran rī deha banāyī. God bless you. Chant, chant... Chant, chant. If you speak a little louder, your father will know that there is no one sleeping here. Hail Satguru Devakī! If you are in Marwad, you can go straight to Bombay. Should I sing a bhajan or listen to a little? I will sing a bhajan. If you look at the words of a saint, then you will not see the Lord. If you look at the wind, then you will not get any grace. If the saint gets the words, then the Lord will not be satisfied. Aur Deepak ne mandir mile, toh iss vidyut tare pāt, toh kyā dhartī se choḍā kahiye? Toh kyā amar ko toh kyā sādhu kī jāt kahiye? Toh kyā pāras kā mo? Dharm dhartī se choḍā kahiye, toh sat amar ko toh aur gham sādhu kī jāt kahiye, to guṇ pāras kāmo. Guṇ vena chāhi je, rangro guṇoi phutron bole jāne gāle, bole bāgo marre devare. Te milan ko chalier taj māyā abhi mā. Jion jion pāg āge dhare, to tyon tyon yāge samā. To kāgā sab tan khaiyor, chun chun khaiyor mā. Do ne na māt khāio mujhe, hari milane kī. Arre, jabān jaisī mīṭī jagat, jabān jaisī khārī kyā? Na nusatān pāyo re bandhā, jītī re bājī kyā? I have found peace in my heart. I have won the battle. I have won the battle. I have found peace in my heart. I have won the battle. I have won the battle. I have won the battle. I have won the battle. I have won the battle. He was a very miserly man. Both of them were going to their families. On the way, he gave a date to a tree. He said, "Ḍapurī!" He said, "Yes, I have a date and a pakoda." Should I break it? He said, "Who is this?" He said, "Gamjarā pāpā, break it. Eat it." He was eating it in the river. He said, "O God! I will climb up the tree." He climbed up the tree and looked down. He saw Ḍapurī on the ground. He said, "Forget about breaking it. How can I get down?" He said, "Oh Bāpujī, I will give you five gold coins and make you an avamānī." He lowered his mind. He spent five thousand rupees and made half of it into two and a half thousand rupees. He came down a little higher and said, "The amount of the avamānī is a thousand." He said, "I will give you a hundred and a half." He said, "Let’s go, we are not going to eat." We will go down. If we go up, we will fall into the same trap. He said, "Now I have to give him the prasāda from Horipel." He said, "I will give it to him later." The villagers said that they would like to sell the camels for Rs. 2,000 or Rs. 1,000. I asked them to sell the camels for Rs. 1,000. They said that they would like to sell the camels for Rs. 1,000. The villagers said that they would like to sell the camels for Rs. 1,000. They said that they would like to sell the camels for Rs. 1,000. They said that they would like to sell the camels for Rs. 1,000. They said that they would like to sell the camels for Rs. 1,000. They said that they would like to sell the camels for Rs. 1,000. They said that they would like to sell the camels for Rs. 1,000. Who will not give it to the villagers? Who will not give it to the villagers? Twelve months ago, a cat was found. The cat and the camel both went to the market. Someone came and said, "If the cat is there, then Rs. 2500 and the camel, Rs. 50." Someone came and said, "If the cat is there, then who will give Rs. 2500?" Someone came and said, "If the cat is there, then who will take the camel for Rs. 2500?" Who will take it for Rs. 2500? Both went to the village. Today, I am going to make dal bati churma for the people of the village. I have sold it. I have sold it for Rs. 45. I have sold it for 45 rupees. I have sold it for 45 rupees. I have sold it for 45 rupees. I have sold it for 45 rupees. I have sold it for Rs. 45. I have sold it for 45 rupees. I have sold it for 45 rupees. I have sold it for 45 rupees. I have sold it for 45 rupees. God Sant Mahābhūṣa kī jai ho, Tuko kī jai, bandagī koṭi koṭi praṇāma. Ketan jāne bhraṅga ko guru kare āpa śamā. Dhyāne mūlaṁ guru mūrti, pūjā mūlaṁ guru pāda, mantra mūlaṁ guru vākya, mokṣa mūlaṁ guru kṛpā. Satguru bhakti o raṅge kabhu na jāye li, o raṅge kabhu na jāye jāye li. Sant sudāre rarare mamā, rarare mamā, vahe vijay deva, ineli vijay deva, sundade hode koi sena. Sadguru Kabīr Sāheb kī Swami Meṣṭra Nānjī Mahārāj kī Sadguru Dev Mahārāj kī Sadṛśa bhagśīr chuṅdhrī Ārvo raṅg kabū nī jāī Sant sudhāre chuṅdhrīye helī Dharma amārī bhavatā. Now in the Phāgnī Rāga, I will sing the Garumārāj bhajan. Thāre satsaṅg nīre satsaṅg. Vedabharani bhajan. So Garumaraj put such a colour on the Bhakti. So, Sāheb Kabīr Sir, this is the chuṅdrī, this is the rāmā, this is the bhāt. Every person’s mind is torn; this is the colour of the baukar khāt. And the chuṅdrī given by the Sadguru, that color is of the Kabūnī caste. The chuṅdrī given by the Saint Sudhā, this is the rāma, this is the bhāta. So, the chuṅdrī given by the Mūrtu Maṇḍala Chauvte, this is the chuṅdrī, this is the biknī aaye. Some Harijan, Vaiṣṇo, Maulvay, Nāgāpal, Goṭā khāye. Chuṅdar, chuṅdar, everyone says that chuṅdar is the knowledge of Brahma. Adash nām derī chuṅḍī helī oḍe koī śānt sujān Bolā sadguru dayā lakī To sadguru dī ne dayā lahe Jīne dīyā muktī rādhām Mancha vācha karma nā To sumro sadguru nām Sat śabadike pātaṅtare Deve kokachu nām. Bhaujī, rādhe sayo. Listen, my beloved, listen to me, my beloved, listen to me,... my beloved, listen. God bless you. ... ... ... ... ... ... ... Yes, yes,... yes. Abhimānī Kuñjar bhāī, sir par li na bāra Jamdā aise māra si ju lo dā gaḍe hain gāwar Jagore nar jāgā, ājā gaṅriwār. Phir kyā jagāy nān kā, sove pāb pasar. E log ke verā yatā bhāī, bābarī. How people have come to this world, how people have come to this world, how people have come to this world, how people have come to this world. How people have come to this world, how people have come to this world, how people have come to this world, how people have come to this world. How people have come to this world. How people have come to this world. How people have come to this world, how people have come to this world, how people have come to this world, how people have come to this world, how people have come to this world, how people have come to this world, how people have come to this world, how people have come to this world, how people have come to this world, how people have come to this world. How people have come to this world, how people have come to this world. O Mother, Father, Master of compassion, O Holy Mother, Mother of God. Hello! Hello!... If you want to say any bhajan, you can do it on the stage. Guru-śekhī-jo-vandegī, Koṭi-koṭi-praṇām, Kīrtan-jane-brahmāne, Guru-kar-le-yā-pe-samāne, Guru-samāne-dātā-nai, yā sākasīse samāna tīn lokarī śamratā garu palame kī nirā sati garu tāraṇe āve jau. Bhau Sāgarīpā, anekaranī rāj jīvaṇe tāraṇī. Āgivārī o kathārī, my Guru’s name is Lakībharī. My Guru’s name is Lakībharī Rām jī. Vāyarī tanī dilviche āye, yattakī nikalnī vāyarī tanī. O Rām jī, Vāyarī Mūrakne Game, Naimerī Game, O my true Guru’s Nirmala, you are the saviour of my life. There is no cure for all the doctors and doctors of the world. Only Rāmjī is there for us, only Rāmjī is there for us. Murk bache ya, jaun lāge nai, tārī mane ome, tārī mane lākī wa, ghiwārī yo, katārī kī bhārī, guru. My eyes are covered with tears, I am shivering. My eyes are covered with tears, I am shivering. The world thinks that I am a liar. I don’t want to say anything, I don’t want to say anything. Chitnandī kati kai sunāve sabhe Satguru Bhagavān kī jaho jaho. Mangalā maya tyāgī nai. Barne sati sa māgī Eche bhaji dhoji sare. Kovansi kari Keśāmi Meṣrānandjī Mahārāj Saṅgh kī jai sadarī Satsaṅg, satnugra se kha, nugra lijāve nārāgī. Sant milāve, sant milāve Rāmajī. Nārāgī bayār kaḍe. Deśaṁ Rāru De Gyānrī Janjā Giriyu Amarvasā Vodhāṁ Satsaṅg Kī Jai Sadarī Gyān Saṅg Bhagavān Kī Samhīdīp Narāṇ Bhagavān Kī Samhimeśraṇam Jī Mahārāj Kī Śānt Mugatre Pauliyā Khinse Karjo Pyar Chabi Unke Hāthme Kholē Mukhse Dawa Shant Kevesag Ramaji Ram Ne Bhula Ki Kar Bhulia Bhundi O Vasin. My mother, my mother,... my mother,... my mother, my mother. He said, "Mother, you are the father of Gurudev." He said, "Mother, you are the father of Gurudev." He said, "Mother, you are the father of Gurudev." He said, "Mother, you are the father of Gurudev." He said, "Mother, you are the father of Gurudev." He said, "Mother, you are the father of Gurudev." He said, "Mother, you are the father of Gurudev." He said, "Mother, you are the father of Gurudev." He said, "Mother, you are the father of Gurudev." He said, "Mother, you are the father of Gurudev." He said, "Mother, you are the father of Gurudev." He said, "Mother, you are the father of Gurudev." Oh, my dear son, my dear son,... my Hello, Chai. Hello. God bless you. Hello. God bless you, God bless you,... God bless you. Thank you for watching.